Guillermo del Toro is fixated on horror stories involving
children. 75% of all the films he’s directed, written or produced feature a kid
as the main character or involves a child in some gruesome way. Cronos, The Devil’s Backbone, Don’t
Be Afraid of the Dark, Mimic, The Orphanage and Pan’s Labyrinth. You name it. So it should be no surprise that his
newest production, Mama, involves
children and a poltergeist that protects them from harm.
2 out of 5
Lucas (Nikolaj Coster-Waldau) and his girlfriend Annabel
(Jessica Chastain) take in the orphaned children of his deceased brother when
they are found years after their disappearance. They somehow managed to survive
in the wilderness alone… or did they?
Basically Mama is
a generic ghost story, albeit a very well made one. It borrows a lot of imagery
from Japanese horror films such as Ju-On,
but manages to eek out an identity of its own as the story progresses. What
Mama really has going for it is the fact that:
- It doesn’t hide the fact that there is a supernatural entity
involved
- The child actors are extremely convincing and sell the
horror
- The ghost itself isn’t evil in nature, just overly
protective of its surrogate children
It’s a nice angle on this overly clichéd plot device, and
while it is extremely engaging and genuinely effective the final reel basically
ruins the entire film.
Jessica Chastain needs to stop playing bitchy characters
because she’s being typecast very early on in her career. I’m not saying she’s bad, she’s actually
quite good here, but her character is a little unlikable for the first two acts
due to her selfish ways and apathy toward the children that she perceives as an
unwelcome burden. I did completely believe her character’s turnaround later on,
so that says something about her performance.
Nikolaj Coster-Waldau of Game
of Thrones fame is actually really good as the male lead, an artist who
feels obligated to care for his nieces after their father’s death. I bought his
empathy and his determination to keep the children after another family member
tries to gain custody. However, some of the writing for his character gets a
little wonky toward the end. For example, he is attacked by Mama and sustains
major injuries that put him in the hospital. But once he discovers a clue about
Mama’s history he rushes out to uncover the truth. Dude, she almost killed you.
Leave it alone. But the movie must keep moving forward so he goes for it.
Whatever.
The children, Megan Charpentier and Isabelle Nélisse, are
pretty fantastic. Like I said earlier, they sell the idea of a ghostly mother
figure and that fact that they know that she will attack when provoked, scared
or worst of all jealous. They both are very naturalistic even though Nélisse
barely speaks (“Mama!”) and were two examples of perfect casting.
Director Andy Muschietti, who also wrote the screenplay with
Neil Cross and Barbara Muschietti, has a great eye and a very even visual style
that isn’t overdone and in your face like a lot of modern horror fare. He
creates a lot of clever shots (that hallway scene with Lilly playing tug-of-war
in her bedroom… with who?!) and genuine scares (some are of the BOO variety)
and a nice spooky vibe. He keeps the tension level high throughout and that is
more than most horror movies nowadays can brag about. I see him going places in
the genre if he decides to stick to it.
The movie has some definite problems as I mentioned earlier.
There are logic problems, one character is randomly possessed for no reason and there is a useless doctor that goes off on
a side quest to get information on the Mama character and basically is just
there to be another person added to the body count. But it’s the stupefying
ridiculousness of the overly pretentious ending that stops this flick dead in
its tracks. I’m talking mind bafflingly dumb arty crap. I don’t know what the
writers had in mind when they came up with this stuff, but it’s frustrating
when you have such a great build-up to something epic and the payoff is so
damned ludicrous and jaw droppingly stupid. You’ll just have to see it to
believe it because just describing it will make my brain leak out of my ears.
The idea and legend created as the backstory for Mama is interesting and
tragic. It’s just too bad that it isn’t brought to a satisfying conclusion.
In the end I cannot fully recommend this movie. There is a
lot to like but, like me, you will probably be completely disappointed with
what goes down in the finale. If you’re feeling adventurous then by all means,
give it a shot. I won’t judge. Just be forewarned… you might want to throw
something at your TV when it ends. I hope you chose the warranty option when
you bought it.
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