I’ve always wondered why the direct-to-video DC Universe
animated films have always fared better than the Marvel ones (like Ultimate Avengers and Ultimate Avengers 2). Basically any
animated DC property turns out to be pretty bad ass now that I think of it. I
have a sneaking suspicion that it has something to do with Bruce Timm, the
genius behind Batman: The Animated Series
and every single animated incarnation of a DC character since. He knows what
works and exactly what needs to be done to make these shows/films as awesome as
they can be without losing their core fanbase.
The newest of these animated films is Justice League: The Flashpoint Paradox, based on DC's all-encompassing
comic book miniseries “Flashpoint” from a couple of years back.
When The Flash (voice of Justin Chambers) uses his powers to
travel back in time to change a pivotal event in his history he inadvertently
alters the future in ways he could not have predicted. He never received his
speedster powers, Aquaman (voice of Carey Elwes) and Wonder Woman (voice of
Vanessa Marshall) command vast armies that have declared war upon the general
population, Thomas Wayne (voiced by Kevin McKidd) is an alcoholic gun-toting
Batman, Superman (voiced by Sam Daly) is a government prisoner and Cyborg
(voiced by Michael B. Jordan) is their puppet. Can The Flash find a way to return
reality back to normal before it’s too late?
The alterations to reality cooked up for this story are
pretty rad. I loved the fact that Superman has never seen the sun and is
oblivious toward his superpowers, Bruce was the one shot in the alley instead
of his parents, Hal Jordan was passed over by Abin Sur’s Green Lantern ring and
Shazam is comprised of a group of children instead of just Billy Batson. Seeing
Steve Trevor killed by Wonder Woman was a complete shock! This alternate
reality is a total WTF and I loved it.
I’ve always had a problem with this kind of plot device
because the basic premise is cliché in the extreme. Every single story that
uses time travel in this manner always ends badly. Why can’t we see one where
history changed for the better once in a while? Probably because the story
would be pointless and no conflict would be present. I’m not really complaining
as this is just an observation.
The Flashpoint Paradox
is one of the better examples of this device, the story is engaging in amazing
ways and I really wanted to find out how The Flash was going to solve this epic
pickle he created for selfish reasons. Writer Jim Krieg (Green Lantern: The Animated Series, Batman: The Brave and the Bold), who adapted the story from Geoff
Johns’ original story for “Flashpoint”, keeps things interesting and constantly
moving forward. I have yet to read the actual comic series (I recently
purchased it) so I can’t comment on how close to the source material the final
product is, but usually these DC films stay on target for the most part.
I also have to say that out of all these direct-to-video
projects this one is the most brutally violent. I don’t know if it came from
Johns’ story of Krieg’s alterations, but this flick should have been rated R
for the sheer amount of bloody carnage on screen. I never thought I’d ever see
someone take a barrage of bullets to the face in one of these flicks, but here
it is. The story is dark, dreary and depressing; awesome and shocking at the
same time. DC continues to show that it has big brass balls the size of North
Carolina.
Director Jay Oliva (Batman: The Dark Knight Returns, Parts 1 and 2) has a great eye for animated
spectacle and makes this one of the more visually unique films in the
series. However, I do have an issue with his choice of animation style. It’s an odd
looking mix of anime, Saturday morning cartoon and anything by Peter Chung (Æon Flux). At times it looks decent,
other times it looks hideous. Regardless, he knows to keep the film moving at a
steady clip and entertaining to the max in order to compete with Marvel.
The selection of voice actors is a little baffling. Every
male actor chosen has a non-threatening voice and doesn’t seem to fit their
character all that well. Sure Justin Chambers (Grey’s Anatomy) works as The Flash, but C. Thomas Howell as his
nemesis Professor Zoom is kind of a joke. The same goes for Kevin McKidd as
Batman and Cary Elwes as Aquaman. They come off as prissy boys for some reason
and sound nothing like the archetypical “hero” at all. I can understand the
casting of Michael B. Jordan as Cyborg since the character is supposed to be
young, but even Steve Blum as Captain Thunder (Shazam) is underwhelming.
Although hearing Nathan Fillion once again playing Hal Jordan, Kevin Conroy as
the real Batman and Ron Perlman playing Deathstroke put a geektastic smile on
my ugly mug.
A couple of rough patches didn’t get in the way of my
enjoyment of Justice League: The Flashpoint Paradox. It’s a fun and suspenseful
ride of an animated flick if there ever was one, and it is about damned time The Flash was shown a little love in the DC animated universe outside of being the comic relief. It’s not nearly as good as Justice League: The New Frontier or Green Lantern: First Flight, but it’s
now #3 on my faves list right behind those two. With a runtime of 75 minutes
with end credits I only wish it were longer …
4 out of 5
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