This is the movie that threw the franchise into the rubbish
bin, and not counting one bright spot (H20),
it was forever tainted by the mark of unwatchable dookie.
Taking place one year after the events of Halloween 4 we learn that Michael
survived the police shootout (duh!) and has been in a coma in some hobo’s shack
out in the woods. Jamie (Danielle Harris), after stabbing her foster mother,
has been institutionalized in a home for disturbed children and has lost the
ability to speak. On Halloween Michael wakes up to resume his hunt for his
niece who discovers she now has a psychic link to her murderous uncle. And
some random dude in cowboy boots wanders around following Michael on his new killing
spree.
Yes, there is a random dude in cowboy boots who shares a
druid tattoo on his wrist that we learn Michael has as well. This sub-plot is
introduced and never explained.
Donald Pleasence returns again as the crazed Dr. Loomis, but
it’s plainly obvious that at this point he’s cashing a paycheck. He phones it
in as the uber talented Danielle Harris outperforms him at every opportunity.
It saddens me that she isn’t in more movies, as she’s this film’s only saving
grace. Old characters we came to love in part 4 are unceremoniously killed off
to make way for a gaggle of horribly written and obnoxiously portrayed
teenagers that I couldn’t wait to see get slaughtered. Wendy Kaplan’s
perpetually coked up and extremely annoying character of Tina being the worst
of the lot. I know that when she bites it the audience is supposed to
sympathize with her for sacrificing herself to save Jamie, but I always say
“FINALLY!” when it happens.
The script by the two hacks I won’t name and the supremely
untalented director Dominique Othenin-Girard is nonsensical and inane. There’s
just so many bad decisions made here that it’s mindboggling. We have the
aforementioned Cowboy Dude. We have the fact that when the hobo is attacked by
Michael, who promptly collapses into a coma before killing the old fart, he
takes this psycho masked dude in for a whole year and never once alerts the
cops. We have an all-points bulletin out on Michael, but he wanders the streets
of Haddonfield all day with no one noticing him, not even when he kills Tina’s
douchey boyfriend in the open and steals his car. We have the two bumbling cops
who are useless in every possible way, and are even given their own clown theme
music. We have Tina being picked up by Michael in her dead boyfriend’s car to
go to a party, and she doesn’t even notice that this guy has a totally
different body type than her main squeeze. Not to mention the fact that he
constantly looks at her as if he’d like nothing more than to stab her in the
coccyx.
And then there’s the ending. I’m going to spoil it for all
of you regardless if you still want to watch this travesty or not, but Loomis
uses Jamie to lure Michael back to his old house so he can trap him and kill
him. Michael obviously has other plans and manages to kill all the dumb ass
police surrounding the place and stalks Jamie until they face off in the attic.
She sweet talks him into taking off his mask, and what do we get? A close up of
his unblemished eye region… and the sumbitch even sheds a tear because she
called him “Uncle”. This mofo was burned alive and in part 4 spent a good chunk
of the movie wrapped head to toe in bandages, and here he doesn’t have one burn
scar? I call bullshit! Then Loomis drops a chain net on him and beats him to a
pulp with an effing 2x4 before the surviving cops show up out of nowhere and
arrest him. Yup, Michael gets thrown in the slammer. We even get a ridiculously
silly shot of him behind bars that elicits a hearty laugh from me every time I
see it. But you haven’t lived until you see Michael’s jailbreak scene. It’s a
real hoot.
Where the fourth film had ample tension and mood to spare,
this is just a big joke that was obviously rushed out to be in theaters a year
after its predecessor. There’s nothing good I can say about this turd, except
that Danielle Harris carried the movie on her small shoulders for the entire
runtime and she pulls it off like a pro. Too bad she couldn’t have been a
better example to everyone else around her. They could learn a thing or two
from this talented tyke.
0.5 out of 5
Halloween 5 is among the very finest movies of its' kind ever made. The original template from 1978 has been returned to exactly ONCE since then...With Myers stalking his victims, and Loomis stalking him...This film has the finest cinematography and score since the original...the finest pursuit and stalking sequences, as well...and an all-time epic performance from Pleasance as Loomis...There are 3 truly great Halloween movies...1, 2, and 5...And as for H20 being a 'bright spot'...PLEASE...H20 is the film where Michael couldn't subdue a little teenaged boy in a sidewalk scuffle, and where a broken down middle aged lady supposedly 'killed' him by walking up to him and hitting him with an axe...WHILE HE HAD BOTH ARMS FREE!!! She couldn't have done that to ME, much less Michael Myers! That movie was mediocre, at BEST...But Halloween 5 was an absolute, unmitigated MASTERPIECE.
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